One market. One production day. $995. We send a creator to your city, stop strangers on the street, and ask the one question that gets them talking about what your company actually does for people — then hand you ten finished vertical videos, captioned and cleared, in about a week.
Not an ad. Not a testimonial shot in your lobby. A real person, on a real street, answering one good question — cut for the feed. Tap any of them.
Every clip above came out of a production day like the one you would book. Results as reported by the organization or measured on their channels.
This is the actual difference between us and a street-interview shop. They turn up, get the soundbites and leave. We treat the whole engagement as one story about your organization — and every format we shoot has a job inside it.
Two films we produced for Dream.org, running on their own channel.
One campaign, two videos, in the order we made them. The montage earns the attention. The journey is what you do with it — and it is the part a street-interview shop does not make.
You already know your company does good work. The problem is that you are the one saying it.
Your own ad says you help people. Of course it does. A stranger on the street saying it, unprompted, is a different kind of evidence — and the only kind the feed rewards.
The impact report, the case study, the testimonial page. All real, all true, all read by almost nobody outside your organization.
Every year you pay more to reach the same people with content that looks like an ad. Content that doesn’t look like an ad travels for free.
Same stock footage, same voiceover, same promise. The one thing a competitor cannot copy is what actual people said about you on camera.
Here is the shift. Stop making content about your company and start collecting content about the people your company affects. That is the only storytelling model we have ever used, and it is the reason a page that asks strangers one question outgrew every brand channel we have ever run.
No crew flying in. No storyboard. No two-month production schedule.
We get on a call and choose the city and the one question that makes people talk about the thing you actually do. That question is the whole product — we have been writing them for six years.
A creator from our network of 20,000+ works your market for a day, stops real people and asks. Releases signed on the spot, logged, and handed to you with the files.
Ten finished vertical videos plus ten alternate hooks, captioned and sized for every platform, inside 7–10 business days. Yours to run anywhere, forever.
Everything from the day, finished and ready to post. Not a rough cut and an invoice for the rest.
The format does not care what you sell. It cares whether a stranger has something real to say about it.
Not on the list? If people are affected by what you do, there is a question worth asking. Bring it to the call.
Same approach, different streets. These are field productions where we went out, asked real people real questions, and cut what came back.
Figures reported by each organization or measured on their own channels.
Three clients on camera, and screenshots of their written reviews exactly as they were left.
Insurance. Law. Pharmacy. Fashion. Same model, same streets, same team — brands that had something real to say and let strangers say it for them.
Campaign results reported by each client. Handles shown are the accounts we produced for.
Same arc, different rooms. Consumer brands and nonprofits, the street interviews and the longer pieces they lead to.
You have options. Here is what each one actually costs you and what you actually get back.
$995 is the first-market rate. Multi-market and ongoing programmes are quoted per day — the format and the deliverables do not change.
One market. One production day. Ten finished videos and ten alternate hooks, in your hands inside 7–10 business days, with signed releases and no usage expiry. $995 for your first market.
No. That is the point. A creator from our network films your market while your team keeps working. You approve the question beforehand and the cuts afterwards.
It happens, and it is useful. You only publish what you approve — nothing goes out without your sign-off. But the honest answers usually outperform the polished ones, which is why this format works.
You do, outright, with signed releases for every person on camera and no usage expiry. Run them on paid, organic, your site, in a pitch deck, anywhere.
When the story fits the page, we run a cut of it on the Are You Happy channels, which reach roughly 200 million people a year. It is not guaranteed on every project — we will tell you on the call whether yours is a fit.
Most of them. Our creator network is 20,000+ people across the world, so the day rate does not change because your market is Manchester instead of Manhattan.
Seven to ten business days from the shoot day for all ten videos and the alternate hooks. Rush is possible — ask on the call.
Yes, and most brands do after the first one. Same format, same per-day economics, and the videos start compounding once you have enough of them to test hooks against each other.
You just have not asked them yet, and nobody is filming it. One day in one market is all it takes to find out what that footage is worth.
